by ian2512 | Mar 23, 2016 | San Francisco Workshop, Sunday April 3rd, all day session
Professor Paul Guyer Brown University A standard account of artistic representation emphasizes the distinction between the experience of the representation and the thought of what is represented. This is the case with Richard Wollheim’s model of the...
by ian2512 | Mar 23, 2016 | San Francisco Workshop, Sunday April 3rd, all day session
Claire Healey and Sean Cordeiro Studio Claire and Sean Claire Healy and Sean Cordeiro’s practice brings together ideas of home, movement and destruction. Working across sculpture and installation, and more recently video, their work re-uses and reforms everyday...
by ian2512 | Mar 23, 2016 | San Francisco Workshop, Sunday April 3rd, all day session
Dr. Robert Sinnerbrink Macquarie University The power of cinema to elicit diverse forms of affective, emotional, and cognitive engagement has become the focus of much exciting research in recent philosophical film theory. Although for the most part theorists have been...
by ian2512 | Mar 23, 2016 | San Francisco Workshop, Sunday April 3rd, all day session
Professor Keith Lehrer University of Arizona Aesthetic perception creates meaning and content in a special way. Attention is directed to what the experience is like in a way that converts the experience into an exemplar representation of meaning. The exemplar both...
by ian2512 | Mar 23, 2016 | San Francisco Workshop, Sunday April 3rd, all day session
Professor Bence Nanay University of Antwerp A lot has been said about the various ways in which imagination plays a role in our engagement with art. This paper is not about imagination: it is about mental imagery. And my claim is that mental imagery plays a crucial...
