by ian2512 | Jun 26, 2017 | Adelaide Workshop 2017
Fred Kroon University of Auckland HOME PAGE PROGRAM ABSTRACTS Workshop 2017 Workshop Videos Let the project of art criticism consist in the achievement of understanding. There is an imaginative entering-in, working towards grasp of the artwork’s significance. It is...
by ian2512 | Jun 26, 2017 | Adelaide Workshop 2017
Joseph Kassman-Todd UC Berkely HOME PAGE PROGRAM ABSTRACTS Workshop 2017 Workshop Videos Let the project of art criticism consist in the achievement of understanding. There is an imaginative entering-in, working towards grasp of the artwork’s significance. It is...
by ian2512 | Jun 26, 2017 | Adelaide Workshop 2017
Nanda Jarosz University of Sydney HOME PAGE PROGRAM ABSTRACTS Workshop 2017 Workshop Videos Aesthetic theorists have not yet been able to answer the question of the value of art to Kant’s Critical theory of the sublime (Brady, 2012) and (Doran, 2015). This is...
by ian2512 | Jun 26, 2017 | Adelaide Workshop 2017
Claire Healy & Sean Cordeiro Studio Claire & Sean HOME PAGE PROGRAM ABSTRACTS Workshop 2017 Workshop Videos Our presentation will look at a number of our past projects that use systems or codes to make sense of the ubiquitous objects around us. Objects we...
by ian2512 | Jun 26, 2017 | Adelaide Workshop 2017
Paul Guyer Brown University HOME PAGE PROGRAM ABSTRACTS Workshop 2017 Kant made the imagination the core notion of aesthetic theory with his argument that the free play between imagination and understanding is the basis of aesthetic pleasure and of the...
by ian2512 | Jun 26, 2017 | Adelaide Workshop 2017
Cynthia Freeland University of Houston HOME PAGE PROGRAM ABSTRACTS Workshop 2017 Workshop Videos In this paper I examine how curating plays a role in the way cultural artefacts acquire meaning. I present, first, an ontological account of what curating is. Secondly,...
